
Caution: This post contains spoilers for Wonder Woman 1984
Wonder Woman 1984 is a refreshingly fun and shamelessly extravagant movie in which the eponymous, lasso-wielding superhero must save the world from a grifter in possession of a magical crystal. It is also, I was surprised to learn, an incisive commentary on the greed and deception at the heart of the fossil fuel industry, which has roots in the period of rampant consumerism that the movie takes place in.
Set decades after its World War I-era predecessor, the plot of the film revolves around the “Dreamstone,” a strange artifact that grants its owner whatever wish they want (for a price). Shortly after the stone arrives at the Smithsonian Museum of Natural History, where Diana Prince, aka Wonder Woman, is working as an enviably stylish anthropologist, it’s nicked by over-coiffed con artist Maxwell Lord (Pedro Pascal), who uses it to save his failing oil business while sowing chaos all over the world.
While Lord’s character seems like an obvious metaphor for Donald Trump—an untalented, megalomaniacal TV personality who ascends to power through a combination of luck and lies—he is also a wannabe oil tycoon, making this the first superhero movie I can remember where the villain literally embodies the fossil fuel industry. And it’s worth unpacking that creative decision a bit more, because as an allegory for the many things wrong with fossil fuels, Lord ain’t bad.
Join the Important Membership to read the rest.
Members get access to every essay from The Science of Fiction -- and everything else we make, too.
Start Your 30 Day Free TrialBenefits include:
- Your choice of our critically-acclaimed newsletters, essays, and podcasts
- A welcome sticker pack!
- Ad-free everything
- Your WCID profile: Track and favorite your actions while you connect with other Shit Givers
- Vibe Check: Our news homepage, curated daily just for you. Never doomscroll again
- Lifetime thanks for directly supporting our work